mk
Tuesday, January 29th, 2008, 12:12 PM
Ever since strategy was kind enough to hook me up with an invite to what.cd I've been downloading a bunch of highly-prized-but-out-of-print-and-therefore-only-obtainable-by-paying-ridiculous-sums-on-ebay audiophile masters of classic albums.
Highly recommend anyone who has an account there to grab these three immediately:
(Bob Dylan - Highway 61 Revisited - DCC Gold Steve Hoffman Remaster)The only pressing in history from the original master that I know of. Sounds AMAZING; sooooo much better than the initial CD transfer. You can hear the kick drum!!!
From an interview with Steve Hoffman about this album:
Could you explain the difference between that tape and the other so-called master tapes - the tapes that had been used to make the regular CD?Well, even the original LP and all subsequent releases of Highway 61 Revisited were made, according to standard practice at the time, by taking the original tapes and transferring them, adding equalisation and adding compression, to make what's called the "cutting master". That means that the records were actually cut from a copy of the original master tapes. If they had tried to cut the record using the original tapes, the cutting stylus would not have been able to track all the information, so the cutting master usually would have the low end chopped off and the high end chopped off and the mid-range exaggerated. But then that cutting master tape would be labelled "Master", because in their eyes it was the tape that was used to make the records. So afterwards, any time anyone asked for the Highway 61 Revisited master tape - or, in fact, for any CBS master tape - that's what they got: the second-generation cutting master.
Now I, of course, knew that I wanted to use the original master tapes, the ones with the original mixes, that hadn't been EQ'd and compressed and all that. But it was hard to explain to the people who I had to deal with at Columbia. It's kind of a terminology problem. Anyway, eventually we figured out that of all the various tapes labelled "master" that they'd pulled from the vaults, the original master tapes, the ones that I wanted to use, were actually the ones in the boxes that were marked "Do Not Use" - hahaha! - because in their lingo, "Do Not Use" means "Original", and therefore unsuitable for the mastering and cutting processes that they had at the time. So it turned out that the tapes that I used to make my CD were actually better than the tapes that had been used to make the original LP! In fact, they had never been used at all since they were first copied back in 1965. I mean, it's pretty much the same album, of course, but there's just more information on the original tapes, so it sounds a lot better.
(Beatles - Sgt. Pepper's - MoFi UHQR Vinyl Rip)Goes for $800-2k on ebay when you can find it. Sourced from original master as well. Incredible sound compared to horrifically tinny, reverb-drenched EMI CD.
(Pink Floyd - Dark Side of the Moon - MoFi UHQR Vinyl Rip)OOOMMMGGG listen to this on a good set of speakers and crank "On the Run".