When you see it next (I've seen it 3 times now), you will like the first night in the forest scene even more. It gets better every time. When he's standing on the tree with the chick and the 'life seeds' or whatever are floating down and surrounding him... it's just one of the greatest things ever.
For me, the greatest 3D moment of the movie is also (maybe, I forget) the first true 3D moment...when the doctors/attendants are floating around the ship, waking up the soldiers. It's an amazing example of how the 3D was crafted to create inner depth, as opposed to the gimick of having things pop out of the screen.
I saw it for the second time this week, and enjoyed it again, but since I was kind of used to the visual effect, I was able to spend more time watching the mythology of it. For instance, the representation of the Colonel as a machine --he was almost literally mechanical. He wore that huge robotic exoskeleton (this was effectively his avatar out on Pandora -- your avatar is not just an empty fantasy, its really a representation of the inner you), and barely had need to breathe air. The first thing out of his mouth is "These are the rules...". He represents the anti-creative force..The Machine. I like how he tries to leverage Jake by promising him his legs back -- when it was actually The Machine that took his legs from him in the first place (figuratively his freedom to move), and is as always only interested in using him for its purposes. Ultimately he can only get his literal and figurative legs back from the creative force.
Anyways, I think it says a lot about the movie that I appreciated it more after seeing it the second time. I don't disagree at all about the cheesiness of the acting and the characters, but I think the symbology is solid enough for the story to have some depth despite the ostensible shallowness of it. If that makes any sense.
Anyways, I think it says a lot about the movie that I appreciated it more after seeing it the second time. I don't disagree at all about the cheesiness of the acting and the characters, but I think the symbology is solid enough for the story to have some depth despite the ostensible shallowness of it. If that makes any sense.
I think the whole "colonel as a machine" symbology is a little too obvious. I thought that the best part of the story itself was the ecology of the planet. Aside from floating waterfalls.
