LadyGrey
Friday, August 1st, 2008, 12:27 AM
QUOTE (BigDMcGee @ Thursday, July 31st, 2008, 9:42 AM)

I seem to remember seeing something by him at the Tate. I'm kind of shocked that a pop artist of that stature has student affordable work. Browsing online, looking at his stuff, it seemed rather run of the mill pop art stuff... I did like this one..
Hard to judge art online and not in person, particularly modern, abstract and pop art. I thought guys like Rothko and Pollock were wankers till I saw their work live. I'm still not sure they weren't wankers, but I enjoyed color fields alot more when they were 12 feet by 20 feet.
I don't think Blake is run of the mill, and you must keep in mind the context of his art - if it does look generic to you, it's only because so many have copied his style since he produced his work. The pieces that were 'affordable' to me were $2000, I had about $10,000 in savings from working full-time so it would have eaten a big chunk of that. They weren't famous pieces, they were screenprints of cigarette packets and a couple of collages. I wanted a collage, but they were sold already.
The piece I would dream of owning by him is a small painting that is not well known. You can see it here:
http://www.bristol.gov.uk/ArtGalleryServlet/images/k5054.jpgI love the way he took the famous Lear verse which is aimed at children, and transformed it into this moody, serious design. Look at the way the owl and cat are sat apart, looking away from each other - not what you'd expect from a happily engaged couple. The owl looks pensive, the cat looks melancholy - again he has extracted the whimsy from the poem and left something mysterious and awkward in it's place. There's no sense of movement in the water as there would be if they were sailing with purpose, it seems as though they are just floating there. A strange ambience is created from recognising the 'owl and the pussycat' from the poem, but portrayed in an unfamiliar style. That's what attracts me to the painting.
By the way, I loathe Rothko, and though I have no ill feelings toward Pollock, I don't care for his work and wouldn't hang it on my wall. I rarely enjoy abstract work. My favourite artists are Klimt, Blake, Dali... they portray recognisable people/objects/landscapes, but in a unique style which allows you to view them with a new perspective and insight.
QUOTE (AmScray @ Friday, August 1st, 2008, 3:37 AM)

Yeah, because if there's one people who really hold heights in art appreciation, it's the British. Take the artistic sensibilities of a Chinaman and cross it with that 'penchant for the garish' held by the Germans and behold, you have the British mentality on fire art.
(I have to cop on the baby sketch. The guy had two from the same artist but with different composition- I really, really wanted one but he had already sold it, so I wound up getting that one as a consolation prize. It was a mistake, NOT because it's a bad sketch- really, it's world class, but because whenever I look at it, all I can do is think about the one I really wanted and as such, I will never really appreciate this one for what it is)
I don't believe there is any archetypal British taste in art. I've visited many art galleries and museums in the last month - the Prado in Madrid, the Rejksmuseum in Amsterdam, the Belvedere in Vienna, the Uffizi in Florence, and more - and I appreciated everything I saw with an open mind. When it comes to art, Britons are very much European. Throughout history there have been trends in art which spread across the whole of Europe, and Britain was no more or less influenced by this than Italy or France or Germany. In reality, the everyday Briton has a comparable taste in art to their European counterparts: Picasso, Monet, Van Gogh, Degas, etc.
There is an unfortunate trend here for dire 'modern art' which is 99% concept, 1% skill, but you will find that very few Britons admire this art, it is the media and the art industry which has elevated the likes of Hirst and Emin to prominence.