QUOTE (Clerks: Dante & Randel)
Dante: You get me slapped with a fine, you argue with the customers and I have to patch everything up, you get us thrown out of a funeral by violating a corpse, and then to top it all off you ruin my relationship. I mean what's your encore? Do you like anally rape my mother while pouring sugar in my gas tank? (pause) You know what the real tragedy about all this is? I'm not even supposed to be here today!
Randal: Oh fuck you! Fuck you, pal! Jesus, there you go: trying to pass the buck! Who closed the store to play hockey? Who closed the store to go to a wake? Who tried to win back his ex-girlfriend without even discussing how he felt with his present one? You want to blame somebody? Blame yourself! "I'm not even supposed to be here today" You sound like an asshole! Jesus, nobody twisted your arm to be here - you're here of your own volition. You like to think the weight of the world rests on your shoulder, like this place would fall apart if Dante wasn't here. Jesus, you over-compensate for having what is basically a monkey's job. You push fucking buttons! Anybody could waltz in here and do our jobs. You - you're so obsessed with making everything seem so much more epic, so much more important than it really is. Christ, you work in a convenience store, Dante - and badly I might add. I work in a shitty video store, badly as well. You know, that guy Jay's got it right man, he has no delusions about what he does. Us - we like to make ourselves seem so much more important than the people who come in here to buy a paper or God forbid, cigarettes. We look down on them as if we're so advanced. Well, if we're so fucking advanced, what are we doing working here?
Randal: Oh fuck you! Fuck you, pal! Jesus, there you go: trying to pass the buck! Who closed the store to play hockey? Who closed the store to go to a wake? Who tried to win back his ex-girlfriend without even discussing how he felt with his present one? You want to blame somebody? Blame yourself! "I'm not even supposed to be here today" You sound like an asshole! Jesus, nobody twisted your arm to be here - you're here of your own volition. You like to think the weight of the world rests on your shoulder, like this place would fall apart if Dante wasn't here. Jesus, you over-compensate for having what is basically a monkey's job. You push fucking buttons! Anybody could waltz in here and do our jobs. You - you're so obsessed with making everything seem so much more epic, so much more important than it really is. Christ, you work in a convenience store, Dante - and badly I might add. I work in a shitty video store, badly as well. You know, that guy Jay's got it right man, he has no delusions about what he does. Us - we like to make ourselves seem so much more important than the people who come in here to buy a paper or God forbid, cigarettes. We look down on them as if we're so advanced. Well, if we're so fucking advanced, what are we doing working here?
QUOTE (Mallrats)
Brodie: One time my cousin Walter got this cat stuck in his ass. True story. He bought it at the local mall, so the whole fiasco wound up on the news. It was embarrassing for my relatives and all. But the next week, he did it again. Different cat, same results, complete with a trip to the emergency room. Then, last week, I saw him in the pet store. He was buying another cat! I said, "Walt, what the hell are you doing, you know you're just gonna get this cat stuck up your ass too, why don't you knock it off?" And he says to me, "Brodie, how the hell else am I supposed to get the gerbil out?" My cousin was a weird guy.
QUOTE (Chasing Amy - Holden to Alyssa)
I love you. And not in a friendly way, although I think we're great friends. And not in a misplaced affection, puppy-dog way, although I'm sure that's what you'll call it. And it's not because you're unattainable. I love you. Very simple, very truly. You're the epitome of every attribute and quality I've ever looked for in another person. I know you think of me as just a friend, and crossing that line is the furthest thing from an option you'd ever consider. But I had to say it. I can't take this anymore. I can't stand next to you without wanting to hold you. I can't look into your eyes without feeling that longing you only read about in trashy romance novels. I can't talk to you without wanting to express my love for everything you are. I know this will probably queer our friendship -no pun intended- but I had to say it, because I've never felt this before, and I like who I am because of it. And if bringing it to light means we can't hang out anymore, then that hurts me. But I couldn't allow another day to go by without getting it out there, regardless of the outcome, which by the look on your face is to be the inevitable shoot-down. And I'll accept that. But I know some part of you is hesitating for a moment, and if there is a moment of hesitation, that means you feel something too. All I ask is that you not dismiss that -at least for ten seconds- and try to dwell in it. Alyssa, there isn't another soul on this fucking planet who's ever made me half the person I am when I'm with you, and I would risk this friendship for the chance to take it to the next plateau. Because it's there between you and me. you can't deny that. And even if we never speak again after tonight, please know that I'm forever changed because of who you are and what you've meant to me, which -while I do appreciate it- I'd never need a painting of birds bought at a diner to remind me of.
(Alyssa opens the door and exits the car)
(sighs) Was it something I said?
(Alyssa opens the door and exits the car)
(sighs) Was it something I said?
QUOTE (Chasing Amy - Banky to Holden about his lesbian fantasy)
Banky: What the fuck is going on with you and that girl? She's programming you, and apparently, you don't even realize it. What does it matter if I refer to her as a dyke, or if I call the Whalers a bunch of faggots in the privacy of my own office, far from the sensitive ears of the rest of the world? (begins drawing something) Bear with me here. I just want to put you through this little exercise. (finishes drawing) Okay, now see this? This is a four-way road, okay? And dead in the center, is a crisp, new, hundred dollar bill. Now at the end of each of the streets, are four people, okay? You following? Up here, we got a male-affectionate, easy-to-get-along-with, no political agenda lesbian. Okay? Now down here, we have a man-hating, angry-as-fuck, agenda-of-rage, bitter dyke. To this side, we got Santa Claus, right? And over to this side - the Easter Bunny. Which one's going to get to the hundred dollar bill first?... I'm serious. This is a serious exercise. It's like an S.A.T. question. Which one's going to get to the hundred dollar bill first - the male-friendly lesbian, the man-hating dyke, Santa Claus, or the Easter Bunny?
Holden: The man-hating dyke.
Banky: Good. Why?... BECAUSE THESE OTHER THREE ARE FIGMENTS OF YOUR FUCKING IMAGINATION! She's fucking with your mind, man! She knows you've got this schoolboy crush and she's using it to sway your way of thinking! Maybe she thinks you'll get her comic picked up by Contender. Or maybe she thinks you'll change the content of our book to something more political and message oriented. Or, gee - I don't know - maybe because that's just what dykes like to do: fuck around with straight guys' heads, just so she can go back to her little rug-muncher club and have a good laugh with all her man-hating harpy cronies about how fucking stupid and easily duped men are! You don't even know this girl! Big deal, she's from Middletown and she went to North! All the girls at North were bitches and sluts anyway! And this one's got them beat by a mile because she's a bitch/slut/dyke! Oh why? Do you get my back when she bashes me? Because I know she does. And do you know why she does? Because I won't play her fucking game! What is it about this girl? You know you have no shot at getting her into bed! Why do you bother wasting time with her? Because you're Holden fucking McNeil - most persistent traveler on the road that's not the path of least resistance! Everything's gotta be a fucking challenge for you, and this little relationship with that bitch is a prime example of your fucking condition. Well I don't need a fucking magic eight ball to look into your future; you want a forecast? Here - will Holden ever fuck Alyssa. (shakes and looks at imaginary ball) What a shock - "Not fucking likely"! This relationship of yours is affecting you, our work and our friendship, and the time's going to come when I throw down the gauntlet and say it's me or her! And then what're you going to say?!... No, what would you say? Would you trash twenty years of friendship because you've got some idiotic notion that this chick would even let you sniff her panties, let alone fuck her?!... What the fuck, man?! WHAT THE FUCK MAKES THIS BITCH ALL THAT IMPORTANT?!?!
Holden: The man-hating dyke.
Banky: Good. Why?... BECAUSE THESE OTHER THREE ARE FIGMENTS OF YOUR FUCKING IMAGINATION! She's fucking with your mind, man! She knows you've got this schoolboy crush and she's using it to sway your way of thinking! Maybe she thinks you'll get her comic picked up by Contender. Or maybe she thinks you'll change the content of our book to something more political and message oriented. Or, gee - I don't know - maybe because that's just what dykes like to do: fuck around with straight guys' heads, just so she can go back to her little rug-muncher club and have a good laugh with all her man-hating harpy cronies about how fucking stupid and easily duped men are! You don't even know this girl! Big deal, she's from Middletown and she went to North! All the girls at North were bitches and sluts anyway! And this one's got them beat by a mile because she's a bitch/slut/dyke! Oh why? Do you get my back when she bashes me? Because I know she does. And do you know why she does? Because I won't play her fucking game! What is it about this girl? You know you have no shot at getting her into bed! Why do you bother wasting time with her? Because you're Holden fucking McNeil - most persistent traveler on the road that's not the path of least resistance! Everything's gotta be a fucking challenge for you, and this little relationship with that bitch is a prime example of your fucking condition. Well I don't need a fucking magic eight ball to look into your future; you want a forecast? Here - will Holden ever fuck Alyssa. (shakes and looks at imaginary ball) What a shock - "Not fucking likely"! This relationship of yours is affecting you, our work and our friendship, and the time's going to come when I throw down the gauntlet and say it's me or her! And then what're you going to say?!... No, what would you say? Would you trash twenty years of friendship because you've got some idiotic notion that this chick would even let you sniff her panties, let alone fuck her?!... What the fuck, man?! WHAT THE FUCK MAKES THIS BITCH ALL THAT IMPORTANT?!?!
QUOTE (Chasing Amy - Holden listens to Silent Bobs story about Chasing Amy)
Silent Bob: Chasing Amy.
Holden: What? What did you say?
Bob: You're chasing Amy.
Jay: Why do you so shocked for, man? Fat bastard does this all the time. Think just because never says anything, it'll have some huge impact when he does open his fucking mouth...
Bob: Jesus Christ, why don't you just shut the fuck up. You're yap, yap, yapping all the time. Give me a fucking headache. (to Holden) I went through something like what you're talking about, a couple years ago, this chick named Amy.
Jay: When?
Bob: A couple years ago?
Jay: What, you live in Canada or something? Why don't I know about this?
Bob: Bitch, what you don't know about me I could just about squeeze in the Grand fucking Canyon. Did you know I always wanted to be a dancer in Vegas? (does a gesture with his hands, a reference to a move by the exotic dancers in "Showgirls") Betcha ya didn't even know that shit, did ya?
Jay: So tell your fucking story so we can get outta here and smoke this.
Bob (to Holden): So, there's me and Amy. And we're all inseparable, right? Big time in love. Then four months down the road, the idiot gear kicks in, and I ask about the ex-boyfriend. Which, as we all know, is a really dumb move. But you know how you don't wanna know, but just have to know--stupid guy bullshit. So, anyway, she starts telling me about him. How they fell in love, how they went out for a couple of yeas, how they lived together, her mother likes me better, blah blah blah blah blah. And I'm okay. Then she drops the bomb. And the bomb is this: it seems that a couple of times while they were going out, he brought some people to bed with him, "menage a troi," I believe it's called. And this just blows my mind, right? I mean, I am not used to this sorta thing; I was raised Catholic, for Gods sake.
Jay: Saint shithead.
Bob (to Jay): Do something. (to Holden) So I'm totally weirded out by this, right? So I start blasting her. I mean, I don't know how to deal with what I'm feeling, so I figure the best way is to call her 'slut,' tell her she was used. I'm out for blood, I really want to hurt this girl. I'm like, "What the fuck is your problem," right? And she's just trying to calmly tell me it was that time, it was that place, and she doesn't feel like she should apologize because she doesn't feel that she's done anything wrong. And I say, "Oh, really?" That's when I look her straight in the eye, tell her it's over. I walk.
Jay: Fucking-A.
Bob: No, idiot, it was a mistake. I wasn't disgusted with her, I was afraid. In that moment, I felt small, like I lacked experience, like I'd never be enough for her or something like that, you know what I'm saying? But what I did not get: she didn't care. She wasn't looking for that guy any more. She was looking for me, for the Bob. But by the time I figured this all out, it was too late. She had moved on. And all I had to show for it was some foolish pride which gave way to regret. She was the girl. I know that now. But (lights a cigarette) I pushed her away. (pause) So I spend every day since then chasing Amy. (pause) So to speak.
Holden: What? What did you say?
Bob: You're chasing Amy.
Jay: Why do you so shocked for, man? Fat bastard does this all the time. Think just because never says anything, it'll have some huge impact when he does open his fucking mouth...
Bob: Jesus Christ, why don't you just shut the fuck up. You're yap, yap, yapping all the time. Give me a fucking headache. (to Holden) I went through something like what you're talking about, a couple years ago, this chick named Amy.
Jay: When?
Bob: A couple years ago?
Jay: What, you live in Canada or something? Why don't I know about this?
Bob: Bitch, what you don't know about me I could just about squeeze in the Grand fucking Canyon. Did you know I always wanted to be a dancer in Vegas? (does a gesture with his hands, a reference to a move by the exotic dancers in "Showgirls") Betcha ya didn't even know that shit, did ya?
Jay: So tell your fucking story so we can get outta here and smoke this.
Bob (to Holden): So, there's me and Amy. And we're all inseparable, right? Big time in love. Then four months down the road, the idiot gear kicks in, and I ask about the ex-boyfriend. Which, as we all know, is a really dumb move. But you know how you don't wanna know, but just have to know--stupid guy bullshit. So, anyway, she starts telling me about him. How they fell in love, how they went out for a couple of yeas, how they lived together, her mother likes me better, blah blah blah blah blah. And I'm okay. Then she drops the bomb. And the bomb is this: it seems that a couple of times while they were going out, he brought some people to bed with him, "menage a troi," I believe it's called. And this just blows my mind, right? I mean, I am not used to this sorta thing; I was raised Catholic, for Gods sake.
Jay: Saint shithead.
Bob (to Jay): Do something. (to Holden) So I'm totally weirded out by this, right? So I start blasting her. I mean, I don't know how to deal with what I'm feeling, so I figure the best way is to call her 'slut,' tell her she was used. I'm out for blood, I really want to hurt this girl. I'm like, "What the fuck is your problem," right? And she's just trying to calmly tell me it was that time, it was that place, and she doesn't feel like she should apologize because she doesn't feel that she's done anything wrong. And I say, "Oh, really?" That's when I look her straight in the eye, tell her it's over. I walk.
Jay: Fucking-A.
Bob: No, idiot, it was a mistake. I wasn't disgusted with her, I was afraid. In that moment, I felt small, like I lacked experience, like I'd never be enough for her or something like that, you know what I'm saying? But what I did not get: she didn't care. She wasn't looking for that guy any more. She was looking for me, for the Bob. But by the time I figured this all out, it was too late. She had moved on. And all I had to show for it was some foolish pride which gave way to regret. She was the girl. I know that now. But (lights a cigarette) I pushed her away. (pause) So I spend every day since then chasing Amy. (pause) So to speak.
QUOTE (Chasing Amy - Alyssa explains why she won't have a threesome with Banky & Holden)
No, it will. Maybe you'll see me differently from then on - maybe you'll despise me for going along with it, once you're in the moment. Maybe I'll moan differently and then you'll resent Banky, and become suspicious of us. Or you'll alienate him because of it, and then grow to blame and hate me for the deterioration of your friendship. Or what if- I sincerely doubt it, but what if - I saw something in Banky that I never saw before, and fell in love with him and left you. I've been down roads like this before; many times. I know you feel doing this will broaden your horizons and give you experience. But I've had those experiences on my own. I can't accompany you on your's. I'm past that now. Or maybe I just love you too much. And I feel hurt and let down that you'd want to share me with anyone. Because I never wanted to share you. Regardless I can't be a part of this. Or you. Not anymore I love you. I always will. Know that. (slaps him) But I'm not your fucking whore.
QUOTE (Dogma - Bethany meets Jay & Silent Bob)
Bethany: May I ask what brought you here?
Jay: Some fuck named John Hughes.
Bethany: "Sixteen Candles" John Hughes?
Jay: You know that guy, too? That fuckin' guy. He made this flick "Sixteen Candles." Not bad. There's tits in it, but no bush, but Ebert over here don't give a shit about that kind of thing 'cause he's, like, all in love with this John Hughes guy. He goes out and rents, like, every one of his movies. Fuckin' "Breakfast Club," where all these stupid kids actually show up for detention. Fuckin' "Weird Science," where this chick wants to take her gear off and get down, but oh no, she don't 'cause it's a PG movie. And then, "Pretty in Pink," which I can't even watch with this tubby bitch anymore, 'cause every time we get to the part where the redhead hooks up with her dream guy, he starts sobbin' like a little bitch with a skinned knee and shit. And there's nothing worse than watchin' a fuckin' fat man weep. Anyway all of John Hughes movies take place in Shermer, Illinois, where all the hunnies are top shelf but all the boys are whiney pussies-except Judd Nelson man, he was fuckin' harsh. So me and "Lunchbox" here figured we could live like fatrats if we were the blunt connection in Shermer. So we collected some money we were owed and boarded a bus. But you know what we found out when we got here? There is no Shermer Illinois - movies are fuckin' bullshit man!
Jay: Some fuck named John Hughes.
Bethany: "Sixteen Candles" John Hughes?
Jay: You know that guy, too? That fuckin' guy. He made this flick "Sixteen Candles." Not bad. There's tits in it, but no bush, but Ebert over here don't give a shit about that kind of thing 'cause he's, like, all in love with this John Hughes guy. He goes out and rents, like, every one of his movies. Fuckin' "Breakfast Club," where all these stupid kids actually show up for detention. Fuckin' "Weird Science," where this chick wants to take her gear off and get down, but oh no, she don't 'cause it's a PG movie. And then, "Pretty in Pink," which I can't even watch with this tubby bitch anymore, 'cause every time we get to the part where the redhead hooks up with her dream guy, he starts sobbin' like a little bitch with a skinned knee and shit. And there's nothing worse than watchin' a fuckin' fat man weep. Anyway all of John Hughes movies take place in Shermer, Illinois, where all the hunnies are top shelf but all the boys are whiney pussies-except Judd Nelson man, he was fuckin' harsh. So me and "Lunchbox" here figured we could live like fatrats if we were the blunt connection in Shermer. So we collected some money we were owed and boarded a bus. But you know what we found out when we got here? There is no Shermer Illinois - movies are fuckin' bullshit man!
QUOTE (Dogma - Loki explains religion to a nun)
Nun: Let me get this straight: you don't believe in God because of Alice in Wonderland?
Loki: No, 'Through the Looking Glass.' That poem, The Walrus & the Carpenter, that's an indictment of organized religion. The walrus - with his girth and his good nature - he obviously represents either Buddha, - or with his tusks - the Hindu Elephant God, Lord Ganesha. That takes care of your Eastern religions. Now, the carpenter, which is an obvious reference to Jesus Christ who was raised a carpenter's son, he represents the Western religions. Now, in the poem, what do they do? What do they do? They - they dupe all these oysters into following them and then proceed to shuck and devour the helpless creatures, en masse. Now, I dunno what that says to you, but to me, it says that following these faiths based on mythological figures insures the destruction of one's inner being. Organized religion destroys who we are by inhibiting our actions, by inhibiting our decisions, out of - out of fear of some - some intangible parent figure who - who shakes a finger at us from thousands of years ago, and says - and says: "Do it, do it and I'll fucking spank you!"
Loki: No, 'Through the Looking Glass.' That poem, The Walrus & the Carpenter, that's an indictment of organized religion. The walrus - with his girth and his good nature - he obviously represents either Buddha, - or with his tusks - the Hindu Elephant God, Lord Ganesha. That takes care of your Eastern religions. Now, the carpenter, which is an obvious reference to Jesus Christ who was raised a carpenter's son, he represents the Western religions. Now, in the poem, what do they do? What do they do? They - they dupe all these oysters into following them and then proceed to shuck and devour the helpless creatures, en masse. Now, I dunno what that says to you, but to me, it says that following these faiths based on mythological figures insures the destruction of one's inner being. Organized religion destroys who we are by inhibiting our actions, by inhibiting our decisions, out of - out of fear of some - some intangible parent figure who - who shakes a finger at us from thousands of years ago, and says - and says: "Do it, do it and I'll fucking spank you!"
And cause Matt Damon rules...
QUOTE (Good Will Hunting)
Why shouldn't I work for the N.S.A.? That's a tough one, but I'll take a shot. Say I'm working at the N.S.A. Somebody puts a code on my desk, something nobody else can break. Maybe I take a shot at it and maybe I break it. And I'm real happy with myself, 'cause I did my job well. But maybe that code was the location of some rebel army in North Africa or the Middle East. Once they have that location, they bomb the village where the rebels were hiding and fifteen hundred people that I never met and that I never had no problem with get killed. Now the politicians are sayin', "Send in the marines to secure the area" 'cause they don't give a shit. It won't be their kid over there, gettin' shot. Just like it wasn't them when their number was called, 'cause they were pullin' a tour in the National Guard. It'll be some kid from Southie takin' shrapnel in the ass. And he comes home to find that the plant he used to work at got exported to the country he just got back from. And the guy who put the shrapnel in his ass got his old job, 'cause he'll work for fifteen cents a day and no bathroom breaks. Meanwhile he realizes the only reason he was over there in the first place was so we could install a government that would sell us oil at a good price. And of course the oil companies used the skirmish over there to scare up domestic oil prices. A cute little ancillary benefit for them but it ain't helping my buddy at two-fifty a gallon. They're takin' their sweet time bringin' the oil back, and maybe even took the liberty of hiring an alcoholic skipper who likes to drink martinis and fuckin' play slalom with the icebergs, and it ain't too long 'til he hits one, spills the oil and kills all the sea life in the North Atlantic. So now my buddy's out of work and he can't afford to drive, so he's walking to the fuckin' job interviews, which sucks 'cause the shrapnel in his ass is givin' him chronic hemorrhoids. And meanwhile he's starvin' 'cause every time he tries to get a bite to eat the only blue plate special they're servin' is North Atlantic scrod with Quaker State. So what did I think? I'm holdin' out for somethin' better. I figure, fuck it, while I'm at it, why not just shoot my buddy, take his job and give it to his sworn enemy, hike up gas prices, bomb a village, club a baby seal, hit the hash pipe and join the National Guard? I could be elected president.







