Randal: Oh fuck you! Fuck you, pal! Jesus, there you go: trying to pass the buck! Who closed the store to play hockey? Who closed the store to go to a wake? Who tried to win back his ex-girlfriend without even discussing how he felt with his present one? You want to blame somebody? Blame yourself! "I'm not even supposed to be here today" You sound like an asshole! Jesus, nobody twisted your arm to be here - you're here of your own volition. You like to think the weight of the world rests on your shoulder, like this place would fall apart if Dante wasn't here. Jesus, you over-compensate for having what is basically a monkey's job. You push fucking buttons! Anybody could waltz in here and do our jobs. You - you're so obsessed with making everything seem so much more epic, so much more important than it really is. Christ, you work in a convenience store, Dante - and badly I might add. I work in a shitty video store, badly as well. You know, that guy Jay's got it right man, he has no delusions about what he does. Us - we like to make ourselves seem so much more important than the people who come in here to buy a paper or God forbid, cigarettes. We look down on them as if we're so advanced. Well, if we're so fucking advanced, what are we doing working here?
(Alyssa opens the door and exits the car)
(sighs) Was it something I said?
Holden: The man-hating dyke.
Banky: Good. Why?... BECAUSE THESE OTHER THREE ARE FIGMENTS OF YOUR FUCKING IMAGINATION! She's fucking with your mind, man! She knows you've got this schoolboy crush and she's using it to sway your way of thinking! Maybe she thinks you'll get her comic picked up by Contender. Or maybe she thinks you'll change the content of our book to something more political and message oriented. Or, gee - I don't know - maybe because that's just what dykes like to do: fuck around with straight guys' heads, just so she can go back to her little rug-muncher club and have a good laugh with all her man-hating harpy cronies about how fucking stupid and easily duped men are! You don't even know this girl! Big deal, she's from Middletown and she went to North! All the girls at North were bitches and sluts anyway! And this one's got them beat by a mile because she's a bitch/slut/dyke! Oh why? Do you get my back when she bashes me? Because I know she does. And do you know why she does? Because I won't play her fucking game! What is it about this girl? You know you have no shot at getting her into bed! Why do you bother wasting time with her? Because you're Holden fucking McNeil - most persistent traveler on the road that's not the path of least resistance! Everything's gotta be a fucking challenge for you, and this little relationship with that bitch is a prime example of your fucking condition. Well I don't need a fucking magic eight ball to look into your future; you want a forecast? Here - will Holden ever fuck Alyssa. (shakes and looks at imaginary ball) What a shock - "Not fucking likely"! This relationship of yours is affecting you, our work and our friendship, and the time's going to come when I throw down the gauntlet and say it's me or her! And then what're you going to say?!... No, what would you say? Would you trash twenty years of friendship because you've got some idiotic notion that this chick would even let you sniff her panties, let alone fuck her?!... What the fuck, man?! WHAT THE FUCK MAKES THIS BITCH ALL THAT IMPORTANT?!?!
Holden: What? What did you say?
Bob: You're chasing Amy.
Jay: Why do you so shocked for, man? Fat bastard does this all the time. Think just because never says anything, it'll have some huge impact when he does open his fucking mouth...
Bob: Jesus Christ, why don't you just shut the fuck up. You're yap, yap, yapping all the time. Give me a fucking headache. (to Holden) I went through something like what you're talking about, a couple years ago, this chick named Amy.
Jay: When?
Bob: A couple years ago?
Jay: What, you live in Canada or something? Why don't I know about this?
Bob: Bitch, what you don't know about me I could just about squeeze in the Grand fucking Canyon. Did you know I always wanted to be a dancer in Vegas? (does a gesture with his hands, a reference to a move by the exotic dancers in "Showgirls") Betcha ya didn't even know that shit, did ya?
Jay: So tell your fucking story so we can get outta here and smoke this.
Bob (to Holden): So, there's me and Amy. And we're all inseparable, right? Big time in love. Then four months down the road, the idiot gear kicks in, and I ask about the ex-boyfriend. Which, as we all know, is a really dumb move. But you know how you don't wanna know, but just have to know--stupid guy bullshit. So, anyway, she starts telling me about him. How they fell in love, how they went out for a couple of yeas, how they lived together, her mother likes me better, blah blah blah blah blah. And I'm okay. Then she drops the bomb. And the bomb is this: it seems that a couple of times while they were going out, he brought some people to bed with him, "menage a troi," I believe it's called. And this just blows my mind, right? I mean, I am not used to this sorta thing; I was raised Catholic, for Gods sake.
Jay: Saint shithead.
Bob (to Jay): Do something. (to Holden) So I'm totally weirded out by this, right? So I start blasting her. I mean, I don't know how to deal with what I'm feeling, so I figure the best way is to call her 'slut,' tell her she was used. I'm out for blood, I really want to hurt this girl. I'm like, "What the fuck is your problem," right? And she's just trying to calmly tell me it was that time, it was that place, and she doesn't feel like she should apologize because she doesn't feel that she's done anything wrong. And I say, "Oh, really?" That's when I look her straight in the eye, tell her it's over. I walk.
Jay: Fucking-A.
Bob: No, idiot, it was a mistake. I wasn't disgusted with her, I was afraid. In that moment, I felt small, like I lacked experience, like I'd never be enough for her or something like that, you know what I'm saying? But what I did not get: she didn't care. She wasn't looking for that guy any more. She was looking for me, for the Bob. But by the time I figured this all out, it was too late. She had moved on. And all I had to show for it was some foolish pride which gave way to regret. She was the girl. I know that now. But (lights a cigarette) I pushed her away. (pause) So I spend every day since then chasing Amy. (pause) So to speak.
Jay: Some fuck named John Hughes.
Bethany: "Sixteen Candles" John Hughes?
Jay: You know that guy, too? That fuckin' guy. He made this flick "Sixteen Candles." Not bad. There's tits in it, but no bush, but Ebert over here don't give a shit about that kind of thing 'cause he's, like, all in love with this John Hughes guy. He goes out and rents, like, every one of his movies. Fuckin' "Breakfast Club," where all these stupid kids actually show up for detention. Fuckin' "Weird Science," where this chick wants to take her gear off and get down, but oh no, she don't 'cause it's a PG movie. And then, "Pretty in Pink," which I can't even watch with this tubby bitch anymore, 'cause every time we get to the part where the redhead hooks up with her dream guy, he starts sobbin' like a little bitch with a skinned knee and shit. And there's nothing worse than watchin' a fuckin' fat man weep. Anyway all of John Hughes movies take place in Shermer, Illinois, where all the hunnies are top shelf but all the boys are whiney pussies-except Judd Nelson man, he was fuckin' harsh. So me and "Lunchbox" here figured we could live like fatrats if we were the blunt connection in Shermer. So we collected some money we were owed and boarded a bus. But you know what we found out when we got here? There is no Shermer Illinois - movies are fuckin' bullshit man!
Loki: No, 'Through the Looking Glass.' That poem, The Walrus & the Carpenter, that's an indictment of organized religion. The walrus - with his girth and his good nature - he obviously represents either Buddha, - or with his tusks - the Hindu Elephant God, Lord Ganesha. That takes care of your Eastern religions. Now, the carpenter, which is an obvious reference to Jesus Christ who was raised a carpenter's son, he represents the Western religions. Now, in the poem, what do they do? What do they do? They - they dupe all these oysters into following them and then proceed to shuck and devour the helpless creatures, en masse. Now, I dunno what that says to you, but to me, it says that following these faiths based on mythological figures insures the destruction of one's inner being. Organized religion destroys who we are by inhibiting our actions, by inhibiting our decisions, out of - out of fear of some - some intangible parent figure who - who shakes a finger at us from thousands of years ago, and says - and says: "Do it, do it and I'll fucking spank you!"
And cause Matt Damon rules...













